Lesson plan
100% Hell
100% Hell is the sixth album of the Italian extreme metal band Necrodeath. Cronos of Venom is the guest vocalist on February 5, 1984, Federica Badalini of Soul Takers plays keyboards on Identity Crisis, Sonya Scarlet of Theatres des Vampires make a duet with Flegias on 100% Hell. Norway's Scream Magazine scored the album 5 out of 6, citing that Necrodeath managed to display "a little extra" even though the riffs were very true to traditional thrash metal. The album would befit fans of any metal genre, being both "clinically produced" while also retaining "the somewhat dirty sound". Rock Hard gave a similarly strong score, 8.5 out of 10. If Necrodeath was the in-house band in Hell, "I'll order a season ticket right away!". Denmark's Heavymetal.dk rated it as a 7. While the album contained highlights such as "Forever Slave" and "Master og Morphine", other songs, namely "Wave" and "Identity Crisis" were "boring tracks, to put it mildly". wrote that though the album title was somewhat misleading, Necrodeath "have a knack for crafting compelling songs in the death/thrash genre", but did not fully live up to Black As Pitch.
Article summary
100% Hell is the sixth album of the Italian extreme metal band Necrodeath. Cronos of Venom is the guest vocalist on February 5, 1984, Federica Badalini of Soul Takers plays keyboards on Identity Crisis, Sonya Scarlet of Theatres des Vampires make a duet with Flegias on 100% Hell. Norway's Scream Magazine scored the album 5 out of 6, citing that Necrodeath managed to display "a little extra" even though the riffs were very true to traditional thrash metal. The album would befit fans of any metal genre, being both "clinically produced" while also retaining "the somewhat dirty sound". Rock Hard gave a similarly strong score, 8.5 out of 10. If Necrodeath was the in-house band in Hell, "I'll order a season ticket right away!". Denmark's Heavymetal.dk rated it as a 7. While the album contained highlights such as "Forever Slave" and "Master og Morphine", other songs, namely "Wave" and "Identity Crisis" were "boring tracks, to put it mildly". wrote that though the album title was somewhat misleading, Necrodeath "have a knack for crafting compelling songs in the death/thrash genre", but did not fully live up to Black As Pitch.
Key claims
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Discussion questions
- Summarise the article in your own words. Which single claim would you verify first, and why?
- Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
- If two sources disagreed about one of these facts, what would you need in order to trust one over the other?
Bibliography
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Key claims and bibliography are generated from the same tracked claims and sources as the article page.