Anthem

An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text.

An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text.

Etymology

Anthem is derived from the Greek (antíphōna) via Old English . Both words originally referred to antiphons, a call-and-response style of the singing. The adjectival form is "anthemic".

History

Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in the British coronation service. The words are selected from Holy Scripture or in some cases from the Liturgy and the music is generally more elaborate and varied than that of psalm or hymn tunes. Being written for a trained choir rather than the congregation, the Anglican anthem is analogous to the motet of the Catholic and Lutheran Churches but represents an essentially English musical form. Anthems may be described as "verse", "full", or "full with verse", depending on whether they are intended for soloists, the full choir, or both. Another way of describing an anthem is that it is a piece of music written specifically to fit a certain accompanying text, and it is often difficult to make any other text fit that same melodic arrangement. It also often changes melody and/or meter, frequently multiple times within a single song, and is sung straight through from start to finish, without repeating the melody for following verses like a normal song (although certain sections may be repeated when marked). An example of an anthem with multiple meter shifts, fuguing, and repeated sections is "Claremont", or "Vital Spark of Heav'nly Flame". Another well known example is William Billing's "Easter Anthem", also known as "The Lord Is Risen Indeed!" after the opening lines. This anthem is still one of the more popular songs in the Sacred Harp tune book. The anthem developed as a replacement for the Catholic "votive antiphon" commonly sung as an appendix to the main office to the Blessed Virgin Mary or other saints.

Notable composers of liturgical anthems: historic context

During the Elizabethan period, notable anthems were composed by Thomas Tallis, William Byrd, Tye, and Farrant but they were not mentioned in the Book of Common Prayer until 1662 when the famous rubric "In quires and places where they sing here followeth the Anthem" first appears. Early anthems tended to be simple and homophonic in texture, so that the words could be clearly heard. During the 17th century, notable anthems were composed by Orlando Gibbons, Henry Purcell, and John Blow, with the verse anthem becoming the dominant musical form of the Restoration. In the 18th century, famed anthems were composed by Croft, Boyce, James Kent, James Nares, Benjamin Cooke, and Samuel Arnold. In the 19th century, Samuel Sebastian Wesley wrote anthems influenced by contemporary oratorio which stretch to several movements and last twenty minutes or longer. Later in the century, Charles Villiers Stanford used symphonic techniques to produce a more concise and unified structure. Many anthems have been written since then, generally by specialists in organ music rather than composers, and often in a conservative style. Major composers have usually written anthems in response to commissions and for special occasions: for instance Edward Elgar's 1912 "Great is the Lord" and 1914 "Give unto the Lord" (both with orchestral accompaniment); Benjamin Britten's 1943 "Rejoice in the Lamb" (a modern example of a multi-movement anthem, today heard mainly as a concert piece); and, on a much smaller scale, Ralph Vaughan Williams's 1952 "O Taste and See" written for the coronation of Queen Elizabeth II. With the relaxation of the rule, in England at least, that anthems should only be in English, the repertoire has been greatly enhanced by the addition of many works from the Latin repertoire.

Types

The word "anthem" is commonly used to describe any celebratory song or composition for a distinct group, as in national anthems. Further, some songs are artistically styled as anthems, whether or not they are used as such, including Marilyn Manson's "Irresponsible Hate Anthem", Silverchair's "Anthem for the Year 2000", and Toto's "Child's Anthem".

National anthem

A national anthem (also state anthem, national hymn, national song, etc.) is generally a patriotic musical composition that evokes and eulogizes the history, traditions, and struggles of a country's people, recognized either by that state's government as the official national song, or by convention through use by the people. The majority of national anthems are marches or hymns in style. The countries of Latin America, Central Asia, and Europe tend towards more ornate and operatic pieces, while those in the Middle East, Oceania, Africa, and the Caribbean use a simpler fanfare. Some countries that are devolved into multiple constituent states have their own official musical compositions for them (such as with the United Kingdom, Russian Federation, and the former Soviet Union); their constituencies' songs are sometimes referred to as national anthems even though they are not sovereign states.

Flag anthem

A flag anthem is generally a patriotic musical composition that extols and praises a flag, typically one of a country, in which case it is sometimes called a national flag anthem. It is often either sung or performed during or immediately before the raising or lowering of a flag during a ceremony. Most countries use their respective national anthems or some other patriotic song for this purpose. However, some countries, particularly in South America, use a separate flag anthem for such purposes. Not all countries have flag anthems. Some used them in the past but no longer do so, such as Iran, China, and South Africa. Flag anthems can be officially codified in law, or unofficially recognized by custom and convention. In some countries, the flag anthem may be just another song, and in others, it may be an official symbol of the state akin to a second national anthem, such as in Taiwan.

For parts of countries

Some countries, such as the former Soviet Union, Spain, and the United Kingdom, among others, are held to be unions of several "nations" by various definitions. Each of the different "nations" may have their own anthem and these songs may or may not be officially recognized; these compositions are typically referred to as regional anthems though may be known by other names as well (e.g. "state songs" in the United States).

Austria

In Austria, the situation is similar to that in Germany. The regional anthem of Upper Austria, the "Hoamatgsang" ( ), is notable as the only (official) German-language anthem written and sung entirely in dialect.

Belgium

In Belgium, Wallonia uses "Le Chant des Wallons" and Flanders uses "De Vlaamse Leeuw".

Brazil

Most of the Brazilian states have official anthems. Minas Gerais uses an adapted version of the traditional Italian song "Vieni sul mar" as its unofficial anthem. During the Vargas Era (1937–1945) all regional symbols including anthems were banned, but they were legalized again by the Eurico Gaspar Dutra government.

Canada

The Canadian province of Newfoundland and Labrador, having been the independent Dominion of Newfoundland before 1949, also has its own regional anthem from its days as a dominion and colony of the UK, the "Ode to Newfoundland". It was the only Canadian province with its own anthem until 2010, when Prince Edward Island adopted the 1908 song "The Island Hymn" as its provincial anthem.

Czechoslovakia

Czechoslovakia had a national anthem composed of two parts, the first verses of the Czech and Slovak anthems. After the dissolution of Czechoslovakia, the anthem split as well, but Slovakia added an extra verse.

Germany

In Germany, many of the Länder (states) have their own anthems, some of which predate the unification of Germany in 1871. A prominent example is the Hymn of Bavaria, which also has the status of an official anthem (and thus enjoys legal protection). There are also several unofficial regional anthems, like the "Badnerlied" and the "Niedersachsenlied".

India

Some of the states and union territories of India have officially adopted their own state anthem for use during state government functions.

Japan

As of 2025, forty-four of the forty-seven prefectures of Japan have one or more official prefectural songs. The only prefectures that do not have a prefectural song are Osaka, Hiroshima and Ōita. However, all except Ōita have unofficial prefectural songs, and all three have official prefectural sports songs. It is sometimes believed that Hyōgo does not have an official prefectural song, but the song was adopted in 1947. In many prefectures, an official , or , is played alongside the raising of the prefectural flag at government-hosted events. In addition to the official prefectural song, several other songs that symbolize the prefecture—such as sports-themed songs or image songs representing the local identity—have often been adopted. Regarding official prefectural songs, there are a variety of cases: some songs trace their origins to shōka (school songs) used in education during the mid-Meiji period; others were created after the end of World War II under encouragement from the General Headquarters of the Allied Forces (GHQ/SCAP); still others were composed in or after the 1980s. However, the most common pattern—seen in prefectures like Toyama and Aichi—is songs that were established in conjunction with the National Sports Festival, just like their prefectural flags. Some songs, such as Nagano Prefecture's , are so well-known that it is considered natural for residents to be able to sing them. However, there are also many examples where even local residents are not very familiar with their prefecture's song. Prefectural songs are mainly performed at events hosted by the prefectural government or during the National Sports Festival, but in some cases, they are also used as internal chimes to signal the start and end of work at prefectural offices, or as telephone hold music or ringtone melodies. In Japan, many municipalities (cities, towns, and villages) under each prefecture also have their own official . In addition, many of the special wards of Tokyo and the administrative wards of government-designated cities have established their own .

Malaysia

All the individual states of Malaysia have their own anthems.

Mexico

In Mexico, after the national anthem was established in 1854¹, most of the states of the federation adopted their own regional anthems, which often emphasize heroes, virtues or particular landscapes. In particular, the regional anthem of Zacatecas, the "Marcha de Zacatecas", is one of the more well-known of Mexico's various regional anthems.

Serbia and Montenegro

In 2004 and 2005 respectively, the Montenegrin and Serbian regions of Serbia and Montenegro adopted their own regional anthems. When the two regions both became independent sovereign states in mid-2006, their regional anthems became their national anthems.

Soviet Union

Fourteen of the fifteen constituent states of the Soviet Union had their own official song which was used at events connected to that region, and also written and sung in that region's own language. The Russian Soviet Federative Socialist Republic used the Soviet Union's national anthem as its regional anthem ("The Internationale" from 1917 to 1944 and the "National Anthem of the Soviet Union" from 1944 to 1990) until 1990, the last of the Soviet constituent states to do so. After the Soviet Union disbanded in the early 1990s, some of its former constituent states, now sovereign nations in their own right, retained the melodies of their old Soviet-era regional anthems until replacing them or, in some cases, still use them today. Unlike most national anthems, few of which were composed by renowned composers, the Soviet Union's various regional anthems were composed by some of the best Soviet composers, including world-renowned Gustav Ernesaks (Estonia), Aram Khachaturian (Armenia), Otar Taktakishvili (Georgia), and Uzeyir Hajibeyov (Azerbaijan). The lyrics present great similarities, all having mentions to Vladimir Lenin (and most, in their initial versions, to Joseph Stalin, the Armenian and Uzbek anthems being exceptions), to the guiding role of the Communist Party of the Soviet Union, and to the brotherhood of the Soviet peoples, including a specific reference to the friendship of the Russian people (the Estonian, Georgian and Karelo-Finnish anthems were apparently an exception to this last rule). Some of the Soviet regional anthems' melodies can be sung in the Soviet Union anthem lyrics (Ukrainian and Belarus are the most fitted in this case). Most of these regional anthems were replaced with new national ones during or after the dissolution of the Soviet Union; Belarus, Kazakhstan (until 2006), Tajikistan, Turkmenistan (until 1997), and Uzbekistan kept the melodies, but with different lyrics. Russia itself had abandoned the Soviet hymn, replacing it with a tune by Glinka. However, with Vladimir Putin coming to power, the old Soviet tune was restored, with new lyrics written to it. Like the hammer and sickle and red star, the public performance of the anthems of the Soviet Union's various regional anthems the national anthem of the Soviet Union itself are considered as occupation symbols as well as symbols of totalitarianism and state terror by several countries formerly either members of or occupied by the Soviet Union. Accordingly, Latvia, Lithuania, Hungary, and Ukraine have banned those anthems amongst other things deemed to be symbols of fascism, socialism, communism, and the Soviet Union and its republics. In Poland, dissemination of items which are "media of fascist, communist, or other totalitarian symbolism" was criminalized in 1997. However, in 2011 the Constitutional Tribunal found this sanction to be unconstitutional. In contrast to this treatment of the symbolism, promotion of fascist, communist and other totalitarian ideology remains illegal. Those laws do not apply to the anthems of Russia, Belarus, Uzbekistan, Kazakhstan, and Tajikistan which used the melody with different lyrics.

Spain

In Spain, the situation is similar to that in Austria and Germany. Unlike the national anthem, most of the anthems of the autonomous communities have words. All are official. Three prominent examples are "Els Segadors" of Catalonia, "Eusko Abendaren Ereserkia" of the Basque Country, and "Os Pinos" of Galicia, all written and sung in the local languages.

United Kingdom

The United Kingdom's national anthem is "God Save the King" but its constituent countries and Crown Dependencies also have their own equivalent songs which have varying degrees of official recognition. England, Scotland, Wales, and Northern Ireland each have anthems which are played at occasions such as sports matches and official events. England - "God Save the King" is usually presumed to be, and often played as, the English regional anthem; but "Jerusalem", "I Vow To Thee, My Country" and "Land of Hope and Glory" are also sung. "Jerusalem" is used as England's anthem at the Commonwealth Games. Scotland variously uses "Flower of Scotland", "Auld Lang Syne", and "Scotland the Brave" as its unofficial national anthems. "Flower of Scotland" is used as Scotland's anthem at the Commonwealth Games and international football and rugby matches. Wales has sung "Hen Wlad Fy Nhadau" since 1856 when it was written by father and son Evan and James James. The music and a Breton translation, "Bro Gozh ma Zadoù", were adopted by Brittany as its anthem; and there is also a Cornish version, "Bro Goth agan Tasow", sung alongside "Trelawney" as an unofficial Cornish anthem. In Wales, "Hen Wlad fy Nhadau" is sometimes accompanied by the hymn, "Guide Me, O thou Great Redeemer" (also referred to as "Bread of Heaven" from repeated words in its first verse), especially at rugby matches. Northern Ireland currently uses "God Save the King" as its anthem at international football matches and uses "Danny Boy/Londonderry Air" at the Commonwealth Games. The Isle of Man, a Crown dependency, uses "God Save the King" as a Royal anthem, but also has its own local anthem, "O Land of Our Birth" (Manx: "O Halloo Nyn Ghooie").

United States

Although the United States has "The Star-Spangled Banner" as its official national anthem, all except two of its constituent states and territories also have their own regional anthem (referred to by most US states as a "state song"), along with Washington, DC. The two exceptions are New Jersey, which has never had an official state song, and Maryland, which rescinded "Maryland, My Maryland" in 2021 due to its racist language and has yet to adopt a replacement. Virginia's previous state song, "Carry Me Back to Old Virginny", adopted in 1940, was later rescinded in 1997 due to its racist language by the Virginia General Assembly. In 2015, "Our Great Virginia" was made the new state song of Virginia. The state songs are selected by each state legislature, and/or state governor, as a symbol (or emblem) of that particular US state. Some US states have more than one official state song, and may refer to some of their official songs by other names; for example, Arkansas officially has two state songs, plus a state anthem, and a state historical song. Tennessee has the most state songs, with 12 official state songs and an official bicentennial rap. Arizona has a song that was written specifically as a state anthem in 1915, as well as the 1981 country hit "Arizona", which it adopted as the alternate state anthem in 1982. Two individuals, Stephen Foster, and John Denver, have written or co-written two state songs. Foster's two state songs, "Old Folks at Home" (better known as "Swanee Ribber" or "Suwannee River"), adopted by Florida, and "My Old Kentucky Home" are among the best-known songs in the US On March 12, 2007, the Colorado Senate passed a resolution to make Denver's trademark 1972 hit "Rocky Mountain High" one of the state's two official state songs, sharing duties with its predecessor, "Where the Columbines Grow". On March 7, 2014, the West Virginia Legislature approved a resolution to make Denver's "Take Me Home, Country Roads" one of four official state songs of West Virginia. Governor Earl Ray Tomblin signed the resolution into law on March 8, 2014. Additionally, Woody Guthrie wrote or co-wrote two state folk songs – Roll On, Columbia, Roll On and Oklahoma Hills – but they have separate status from the official state songs of Washington and Oklahoma, respectively.

Yugoslavia

In Yugoslavia, each of the country's constituent states (except for Bosnia and Herzegovina) had the right to have its own anthem, but only the Croatian one actually did so initially, later joined by the Slovene one on the brink of the breakup of Yugoslavia. Before 1989, Macedonia did not officially use a regional anthem, even though one was proclaimed during World War II by the Anti-fascist Assembly for the National Liberation of Macedonia (ASNOM).

See also

Antiphon List of national anthems Motet Stadium anthems Verse anthem

Notes

References

Bibliography

Text derived from https://en.wikipedia.org/w/index.php?oldid=1370214740 under CC BY-SA 4.0; modifications have been made.