Lesson plan
Asmodea
Asmodea or Fantastic Vision (Spanish: Visión fantástica) are names given to a fresco painting likely completed between 1820 and 1823 by the Spanish artist Francisco Goya. It shows two flying figures hovering over a landscape dominated by a large tabled mountain. Asmodea is one of Goya's 14 Black Paintings—his last major series—which, in mental and physical despair, he painted at the end of his life directly onto the walls of his house, the Quinta del Sordo, outside Madrid. No written or oral record survives as to the series' intended meaning, and it is probable that they were never intended to be seen by those outside his then small immediate circle. Goya did not name any of the works in the series; the title of Asmodea was later given by his friend, the Spanish painter Antonio Brugada. The title is likely a feminine naming of the demon king Asmodeus from the Book of Tobias. However, according to López Vásquez first and Moffitt later, the title relates to the myth of Greek Titan Prometheus, in which the goddess Athena carries him to the Caucasus Mountains. , Goya, 1821–1823. Museo del Prado, Madrid Two figures, one male and one female, are shown airborne, hovering above a broad landscape. The woman wears a white dress covered by a red-rose coloured robe. Both seem fearful; she covers the lower half of her face with her robe, and his face is deeply disturbed.…
Article summary
Asmodea or Fantastic Vision (Spanish: Visión fantástica) are names given to a fresco painting likely completed between 1820 and 1823 by the Spanish artist Francisco Goya. It shows two flying figures hovering over a landscape dominated by a large tabled mountain. Asmodea is one of Goya's 14 Black Paintings—his last major series—which, in mental and physical despair, he painted at the end of his life directly onto the walls of his house, the Quinta del Sordo, outside Madrid. No written or oral record survives as to the series' intended meaning, and it is probable that they were never intended to be seen by those outside his then small immediate circle. Goya did not name any of the works in the series; the title of Asmodea was later given by his friend, the Spanish painter Antonio Brugada. The title is likely a feminine naming of the demon king Asmodeus from the Book of Tobias. However, according to López Vásquez first and Moffitt later, the title relates to the myth of Greek Titan Prometheus, in which the goddess Athena carries him to the Caucasus Mountains. , Goya, 1821–1823. Museo del Prado, Madrid Two figures, one male and one female, are shown airborne, hovering above a broad landscape. The woman wears a white dress covered by a red-rose coloured robe. Both seem fearful; she covers the lower half of her face with her robe, and his face is deeply disturbed.…
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Discussion questions
- Summarise the article in your own words. Which single claim would you verify first, and why?
- Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
- If two sources disagreed about one of these facts, what would you need in order to trust one over the other?
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