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Claviorgan

The claviorgan (also known as the claviorganum, claviorgano, clavecin organisee) is a combination of a stringed instrument (usually a keyboard instrument) and an organ. Its origin is uncertain, but its history can be traced back to the fifteenth century. According to one account, the instrument was invented by the Moorish instrument maker Mahoma Mofferiz, with his earliest known example documented in 1479. Other "Clabiorganos" or "claui organos" are documented in Spain by the year 1500, and the instrument seems to have spread from there. A number of "virgynalls with regals" are mentioned in the inventories of Henry VIII in 1542/3 and 1547 and Wilson Barry cites references to the claviorganum in England dating back to the 1530s. The term claviorgan in its strictest sense refers to the combination of a harpsichord (or other harpsichord type instrument) and an organ, although later could also be used to refer to a combination of a piano and organ. Michael Praetorius describes the claviorgan in his Syntagma Musicum of 1619 as: a clavicymbal, or some other symphony, in which a number of pipes is combined with the strings. Externally it looks exactly like a clavicymbal or symphony, apart from the bellows, which are sometimes set at the rear and sometimes placed inside the body

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Article summary

The claviorgan (also known as the claviorganum, claviorgano, clavecin organisee) is a combination of a stringed instrument (usually a keyboard instrument) and an organ. Its origin is uncertain, but its history can be traced back to the fifteenth century. According to one account, the instrument was invented by the Moorish instrument maker Mahoma Mofferiz, with his earliest known example documented in 1479. Other "Clabiorganos" or "claui organos" are documented in Spain by the year 1500, and the instrument seems to have spread from there. A number of "virgynalls with regals" are mentioned in the inventories of Henry VIII in 1542/3 and 1547 and Wilson Barry cites references to the claviorganum in England dating back to the 1530s. The term claviorgan in its strictest sense refers to the combination of a harpsichord (or other harpsichord type instrument) and an organ, although later could also be used to refer to a combination of a piano and organ. Michael Praetorius describes the claviorgan in his Syntagma Musicum of 1619 as: a clavicymbal, or some other symphony, in which a number of pipes is combined with the strings. Externally it looks exactly like a clavicymbal or symphony, apart from the bellows, which are sometimes set at the rear and sometimes placed inside the body

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  1. Summarise the article in your own words. Which single claim would you verify first, and why?
  2. Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
  3. If two sources disagreed about one of these facts, what would you need in order to trust one over the other?

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