Devasena

Devasena ( , , ) is the Hindu goddess of aspirations, and the consort of the war god Kartikeya (Murugan). She is also known as Devayanai, Deivanai, and Deivayanai in Tamil texts. Her name is also spelled as Teyvanai or Tevayanai ( ). Devasena is described as the daughter of the Prajapati Daksha in the Mahabharata, while some Sanskrit scriptures consider her as the daughter of Indra, the king of the devas (gods), and his wife Shachi. In the Tamil iteration of the Skanda Purana, she is portrayed as the daughter of the god Vishnu, who is later adopted by Indra. She is betrothed to Kartikeya by Indra, when he becomes the commander-in-chief of the devas. In Tamil accounts, Devasena is generally depicted as an antithesis of Valli, her sister-wife; together they complete the deity. Devasena is generally depicted with Murugan, and is often also accompanied by Valli. In Tamil Nadu, Devasena does not enjoy independent worship, but is venerated as Murugan's consort in most of his temples. She plays a greater role in the Tirupparankunram Murugan Temple, believed to be the site of her marriage. In East India, Devasena is worshipped in the form of Shashthi, where she is usually worshipped independently.

Devasena ( , , ) is the Hindu goddess of aspirations, and the consort of the war god Kartikeya (Murugan). She is also known as Devayanai, Deivanai, and Deivayanai in Tamil texts. Her name is also spelled as Teyvanai or Tevayanai ( ). Devasena is described as the daughter of the Prajapati Daksha in the Mahabharata, while some Sanskrit scriptures consider her as the daughter of Indra, the king of the devas (gods), and his wife Shachi. In the Tamil iteration of the Skanda Purana, she is portrayed as the daughter of the god Vishnu, who is later adopted by Indra. She is betrothed to Kartikeya by Indra, when he becomes the commander-in-chief of the devas. In Tamil accounts, Devasena is generally depicted as an antithesis of Valli, her sister-wife; together they complete the deity. Devasena is generally depicted with Murugan, and is often also accompanied by Valli. In Tamil Nadu, Devasena does not enjoy independent worship, but is venerated as Murugan's consort in most of his temples. She plays a greater role in the Tirupparankunram Murugan Temple, believed to be the site of her marriage. In East India, Devasena is worshipped in the form of Shashthi, where she is usually worshipped independently. ==Etymology== The Sanskrit name of the goddess Devasena means "army of the gods" and thus, her husband is known as Devasenapati ("Lord of Devasena"). The epithet Devasenapati is a pun, which also conveys his role as commander-in-chief of the devas. She is called Deivanai or Deivayanai (Tamil, literally meaning "celestial elephant"), as she was raised by Indra's divine elephant, Airavata. ==Legends and textual references== In North India, Kartikeya is generally considered as celibate and unmarried. Sanskrit scriptures generally regard only Devasena as the consort of Kartikeya, while in Tamil Nadu, he has two consorts, Devayanai (Devasena) and Valli. Devasena is described as a daughter of the king of the gods, Indra, and his wife, Shachi or at least the adopted daughter of Indra. with Kartikeya and Devasena in the sanctum. ]] ==Iconography== Devayanai is generally depicted with her husband, particularly in an iconographic form called Senapati. She sits on the left thigh of the six-headed and twelve-armed Kartikeya. One of his arms holds her waist. Numerous depictions of the two exist at Tirupparankunram, the location of their marriage. However, in many south-Indian representations, when Murugan is depicted only with one consort, Valli is favoured over Devasena. In most Tamil depictions, Murugan is depicted with both his consorts standing besides him; Devasena is on his left-hand side. Her complexion is yellow; she is often depicted adorned with a crown, earrings, necklaces and ornaments. She wears a traditional sari and has two arms. She holds a lotus in her left arm, while her right hand hangs down. ==Symbolism== coin, imitative of Kushan coinage, 3rd-4th centuries CE. Obverse: Karttikeya standing facing, holding a spear with dvi (“two” in Brahmi) to the left of Kartikeya's head, peacock to lower right, yaudheya ganasya jaya (“Victory to the Yaudheya people”) around. Reverse: Devasena standing left, raising hand; flower vase to left, inverted nandipada to the right. ]] The presence of the two consorts is said to denote the dual nature of Murugan, as the god of heaven and earth. Devasena, the celestial wife, is married in a traditional arranged marriage while the earthy Valli is won by Murugan, resulting in a love marriage. The consorts also represent a syncretism between the Shaiva and Vaishnava traditions, dedicated to Shiva and Vishnu, respectively. The son of Shiva, Kartikeya, becomes the son-in-law of Vishnu, due to the marriages. Both the consorts are identified with the soul (Atman), while their husband (pati, Lord) represents God. The marriage of Devasena conveys Vaishnava ideals, where the soul (Devasena) remains detached from God; she has her own relative autonomy and earns the love of the god by her own merit. In contrast, the Shaiva philosophy says that God is attached to the soul (Valli), and hence he woos her. The Paripatal contains a Tamil panegyric dedicated to Murugan. It praises him as the god who is allowed to have two wives, Devasena – the daughter of Indra and Valli, a hunter princess. Murugan is described to equally spend his time on earth and in heaven. This is also conveyed by his wives, Devasena is a daughter of the heavens, while Valli is an earthly maiden. Another interpretation regards the trio as the three eyes of Shiva. Devasena and Valli are representations of kriya shakti (the power of action) and Iccha-shakti (will-power) respectively; while their Kartikeya is the third eye, the symbol of the transcendental jnana-shakti (the power of knowledge). In Tamil literature, two kinds of love are mentioned: karpu ("chastity"), love bound in the traditional marriage, represented by Devasena and kalavu, love before marriage, conveyed by Valli. Devasena represents "the conventional, control, ritualized approach to worship" God, while Valli is worship through "ecstasy and self-abandonment". Devasena is the epitome of chastity and purity. In trinity of gunas, she is the middle guna – rajas, symbolizing "rulership, fixity, and stability". Kartikeya is the most superior Sattva (pure), while Valli is the inferior tamas (dark). As per another interpretation, Devasena is an embodiment of how virtuous people should live considering her steadfast and uncompromising fight against evil. ==Worship== Tirupparankunram Murugan Temple in Tirupparankunram near Madurai is dedicated to Murugan and Devayanai. It is believed that she was married to the god at this location. A festival icon depicts the god seated close to his divine consort. The 8th-century Ladan kovil temple at Yanaimalai is one of the earliest temples dedicated to the divine couple. Devasena and Valli, the consorts of Murugan, do not have independent temples dedicated to them. Their images are installed in shrines of Murugan, where they flank their consort on either side. They are worshipped with Murugan and receive offerings as part of his worship (see Puja (Hinduism)). A fast is observed on Tuesdays to placate the consort goddesses. Festival icons of Murugan used during temple festival processions generally depict him with his consorts. ==Notes== ==References==

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