Lesson plan
Dulzaina
song (Xavi Richart, valencian dolçaina with tabalet drum). , Spain). The dulzaina ( ) is a Spanish double reed instrument in the oboe family. It has a conical shape and is the equivalent of the Breton bombarde. It is often replaced by an oboe or a double reeded clarinet as seen in Armenian and Ukrainian folk music. Many varieties of the dulzaina exist in Spain. In the Valencian Community, it is known as a dolçaina or xirimita and is accompanied by a drum called the tabalet. The Catalan variety of the dulzaina is called a gralla, and the Basque variety is called a bolin-gozo. In the region of Aragon, especially in the town of Huesca, the dulzaina is played along with gaitas de boto, regional bagpipes, and sometimes drums. The instrument was first introduced in Spain through Arabic people. The dulzaina is also heard in a large portion of the region of Castilla y León, where it frequently has keys over the holes. The instrument is deeply rooted in the folklore of Burgos, Segovia, Soria, in some areas of Ávila, Madrid, Guadalajara, Toledo, Cuenca, León and Salamanca, less extended in the Basque Autonomous Community and widely used in Navarre and La Rioja.
Article summary
song (Xavi Richart, valencian dolçaina with tabalet drum). , Spain). The dulzaina ( ) is a Spanish double reed instrument in the oboe family. It has a conical shape and is the equivalent of the Breton bombarde. It is often replaced by an oboe or a double reeded clarinet as seen in Armenian and Ukrainian folk music. Many varieties of the dulzaina exist in Spain. In the Valencian Community, it is known as a dolçaina or xirimita and is accompanied by a drum called the tabalet. The Catalan variety of the dulzaina is called a gralla, and the Basque variety is called a bolin-gozo. In the region of Aragon, especially in the town of Huesca, the dulzaina is played along with gaitas de boto, regional bagpipes, and sometimes drums. The instrument was first introduced in Spain through Arabic people. The dulzaina is also heard in a large portion of the region of Castilla y León, where it frequently has keys over the holes. The instrument is deeply rooted in the folklore of Burgos, Segovia, Soria, in some areas of Ávila, Madrid, Guadalajara, Toledo, Cuenca, León and Salamanca, less extended in the Basque Autonomous Community and widely used in Navarre and La Rioja.
Key claims
No claims recorded.
Discussion questions
- Summarise the article in your own words. Which single claim would you verify first, and why?
- Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
- If two sources disagreed about one of these facts, what would you need in order to trust one over the other?
Bibliography
No sources recorded.
Key claims and bibliography are generated from the same tracked claims and sources as the article page.