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Hodegetria

by Dionisius (c. 1500) ; a full-length figure like the original in Constantinople A Hodegetria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. Metals are often used to draw attention to young Christ, reflecting light and shining in a way to embody divinity. In the Western Church this type of icon is sometimes called Our Lady of the Way. The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Empress Aelia Eudocia and to have been painted by Saint Luke the evangelist, the attributed author of the Gospel of Luke. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult object in Byzantium". The original icon has probably now been lost, although various traditions claim that it was carried to Russia or Italy.…

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Article summary

by Dionisius (c. 1500) ; a full-length figure like the original in Constantinople A Hodegetria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. Metals are often used to draw attention to young Christ, reflecting light and shining in a way to embody divinity. In the Western Church this type of icon is sometimes called Our Lady of the Way. The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Empress Aelia Eudocia and to have been painted by Saint Luke the evangelist, the attributed author of the Gospel of Luke. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult object in Byzantium". The original icon has probably now been lost, although various traditions claim that it was carried to Russia or Italy.…

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Discussion questions

  1. Summarise the article in your own words. Which single claim would you verify first, and why?
  2. Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
  3. If two sources disagreed about one of these facts, what would you need in order to trust one over the other?

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