Jivari

Article summary

, showing graphite marks from the first two strings In Indian classical music, javārī (Hindi: जवारी) refers to the overtone-rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura, sitar, surbahar, rudra veena and Sarasvati veena. Javari can refer to the acoustic phenomenon itself, or to the meticulously carved bone, ivory or wooden bridges that support the strings on the sounding board and produce this particular effect. Historically, the concept of a Jiwari bridge was being applied to the Mesopotamian lyres 4500 years ago. (see link below). A similar sort of bridge is used on traditional Ethiopian lyres, as well as on the ancient Greek kithara, and the "bray pins" of some early European harps operated on the same principle. A similar sound effect, called sawari, is used on some traditional Japanese instruments as well. Under the strings of tanpuras, which are unfretted (unstopped), and occasionally under those bass drone strings of sitars and surbahars which are seldom fretted, cotton threads are placed on the javari bridge to control the exact position of the node and its height above the curved surface, in order to more precisely refine the sound of javari.…

Key claims

No claims recorded.

Discussion questions

1. Summarise the article in your own words. Which single claim would you verify first, and why?
2. Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
3. If two sources disagreed about one of these facts, what would you need in order to trust one over the other?

Bibliography

No sources recorded.