Kosode

in 2011 (right). wearing a with another stripped off the shoulders. The was a type of short-sleeved Japanese garment, and the direct predecessor of the kimono. Though its component parts directly parallel those of the kimono, its proportions differed, typically having a wider body, a longer collar and narrower sleeves. The sleeves of the were typically sewn to the body entirely, and often featured heavily rounded outer edges. The was worn in Japan as common, everyday dress from roughly the Kamakura period (1185–1333) until the latter years of the Edo period (1603–1867), at which a point its proportions had diverged to resemble those of modern-day kimono; it was also at this time that the term kimono, meaning "thing to wear", first came into use when referring to the garment formerly known as the .

in 2011]] (right).]] wearing a with another stripped off the shoulders.]] The was a type of short-sleeved Japanese garment, and the direct predecessor of the kimono. Though its component parts directly parallel those of the kimono, its proportions differed, typically having a wider body, a longer collar and narrower sleeves. The sleeves of the were typically sewn to the body entirely, and often featured heavily rounded outer edges. The was worn in Japan as common, everyday dress from roughly the Kamakura period (1185–1333) until the latter years of the Edo period (1603–1867), at which a point its proportions had diverged to resemble those of modern-day kimono; it was also at this time that the term kimono, meaning "thing to wear", first came into use when referring to the garment formerly known as the . ==History== Originating in the Heian period as an undergarment for both men and women, the was a plain white garment, typically made of silk, worn directly next to the skin. Both men and women wore layered, wrap-fronted, wide-sleeved robes on top of the , with the style of layering worn by women of the Imperial Japanese court known as the , literally "twelve layers" featuring a greater number of robes than were seen on men. The would also be worn as sleeping wear alongside a pair of . Following dress edicts designed to decrease the number of layered garments worn at court, the gradually became outerwear from roughly the Kamakura period onwards. Styles of wearing the such as layering two and wearing the uppermost robe stripped off from the shoulders became popular, alongside a number of newly-developed textile decoration techniques, such as dyeing and embroidery, used to decorate the garment. Initially undyed, the dyed came in the Muromachi period, peaked in popularity in the Momoyama period, and faded out in the Keicho period and Edo period. Methods used for decoration included ("Chinese textile") silk fabrics, which mimicked embroidery through the use of floating silk yarns and gilt-paper strips, and the elaborate technique of combination dyework and embroidery, until both were restrained by sumptuary laws and the development of . The 's proportions a wide body and comparatively narrow sleeves gradually evened out over time, before coming to resemble those of a modern kimono around the Edo period. The sleeves on some women's also got longer and began to detach from the body below the shoulder, a style allowing the to become wider over time. ==Components== The component parts of a are roughly similar to those of a kimono, with the only major differences being the proportions of each aspect in comparison to those of a modern kimono. The width of the loom, and hence the (fabric bolt) used for was significantly larger than that for , and the sleeves and collar were also cut and hemmed to different widths. In the Keichō period (1596–1615, just before the Edo period), the width of the fabric bolt used for a was about , and the sleeves were made of one-half width. The (cuff opening) was narrow, the (width of the neck opening) was narrow, the (collar length) was long, and the (length of skirt below the collar) was short. the sleeves of a were comparatively short in both length and width, being for the most part attached to the body down the entire length, with a somewhat rounded edge below the wrist opening of each sleeve. the body panels for the were much wider in proportion, creating a distinctive dropped-shoulder appearance. the collar of the was much wider than is seen on modern kimono, and was also relatively longer, forming a longer, shallower angle along the . the overlapping front panels. The , due to the length and low placement of the collar, had a far more triangular appearance than the irregular quadrilateral on modern kimono; this gave the a sloping, low-waisted appearance. File:Sleeve stylized kosode edo wide shoulder short sleeve.png|alt=A diagram of a person wearing a wrapped-front robe with a wide body and narrow (in horizontal width) sleeves entirely sewn to the body.|The short sleeve and wide shoulder popular in the Muromachi period and early Edo period File:Sleeve stylized kosode 1.png|alt=A diagram of a person wearing a wrapped-front robe with a wide body and comparatively wider sleeves than the previous diagram, also entirely sewn to the body.|A wider sleeve. File:染分紗綾地蜘蛛海松貝模様小袖-Robe (Kosode) with Shells and Sea Grasses MET DP247810.jpg|The unfolded width of this 's collar is similar to the length of its sleeves. File:Kosode with yuzen dyeing inside fan and snowflake shapes, 1 of 2, Edo period, 1700s AD, chirimen crepe - Tokyo National Museum - Tokyo, Japan - DSC09592.jpg| with dyework inside fan and snowflake shapes, 1700s, Ishikawa Prefectural Museum of Traditional Arts and Crafts File:Kosode, late 18th century, Honolulu Museum of Art.JPG| for a woman, late 18th century, Honolulu Museum of Art File:白縮緬地橘文字模様小袖-Robe_(Kosode)_with_Mandarin_Orange_Tree_and_Auspicious_Characters_MET_2002.325.jpg| with Mandarin orange tree design and auspicious characters, late 18th century, Metropolitan Museum of Art File:Khalili Collection of Kimono KX142.jpg| for a woman with design inspired by the Eight Views of Ōmi, 1780–1820, Khalili Collection of Kimono File:Khalili_Collection_of_Kimono_KX158.jpg| for a woman showing flowers on rafts, late 19th century, Khalili Collection of Kimono File:Historiallisia kimonotyylejä.jpg|Ways of wearing . Top left: worn as a wrap-front robe; top right: stripped off the shoulders in the style; bottom left: worn as an unbelted robe over another in the style; bottom right: worn over the head in the style. File:Matsuura-Byobu-by-Iwasa-Matabei.png|The worn as outerwear. Note, compared to modern kimono, the wider cut of the body, unisex narrow and shorter sleeves. Matsuura , , Azuchi-Momoyama period. ==See also== List of items traditionally worn in Japan ==References== ==Bibliography== Gluckman, Dale Carolyn, and Sharon Sadako Takeda, eds. When Art Became Fashion: Kosode in Edo-Period Japan. New York: Weatherhill, 1992. Kennedy, Alan. Japanese Costume: History and Tradition. New York: Rizzoli, 1990. Kosode: 16th–19th Century Textiles from the Nomura Collection. New York: Kodansha International, 1985. ==External links== Momoyama, Japanese Art in the Age of Grandeur, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Tokyo National Museum – an example of period clothing, including . The Tale of Genji Costume Museum – includes period clothing, including Made Simple Kyoto National Museum

Text derived from https://en.wikipedia.org/w/index.php?oldid=1372644954 under CC BY-SA 4.0; modifications have been made.