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Lambert Bidloo

Lambert Bidloo (30 August 1638 – 11 June 1724), of Amsterdam, was by religion, a Zonist Mennonite, by profession, an apothecary and botanist and by passion, a man of letters and translator. After a solid education in classical letters and a period of apprenticeship, Lambert joined the apothecaries' and surgeon's guild overseeing standards and education at the Collegium Medicum. In 1688, he became the director of this institution, and, along with associates and collaborators, botanist Jan Commelin and anatomist Frederik Ruysch he had a hand in its herbalist Hortus Medicus flowering into the global Hortus Botanicus (Amsterdam) of today. His various learned works in Latin and Dutch deal with plants, with Mennonite religious issues and with different historical themes, contemporary, biblical and literary. Among these Bidloo is best known for the curious Panpoeticon Batavum, (Amsterdam, 1720), a figurative and visual poet's gallery of Golden Age Dutch literature. This he produced as a joint undertaking with the noted artist and art historian Arnold Houbraken who was then also launching The Great Theatre of Dutch Painters, (Amsterdam, 1718–21).

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Article summary

Lambert Bidloo (30 August 1638 – 11 June 1724), of Amsterdam, was by religion, a Zonist Mennonite, by profession, an apothecary and botanist and by passion, a man of letters and translator. After a solid education in classical letters and a period of apprenticeship, Lambert joined the apothecaries' and surgeon's guild overseeing standards and education at the Collegium Medicum. In 1688, he became the director of this institution, and, along with associates and collaborators, botanist Jan Commelin and anatomist Frederik Ruysch he had a hand in its herbalist Hortus Medicus flowering into the global Hortus Botanicus (Amsterdam) of today. His various learned works in Latin and Dutch deal with plants, with Mennonite religious issues and with different historical themes, contemporary, biblical and literary. Among these Bidloo is best known for the curious Panpoeticon Batavum, (Amsterdam, 1720), a figurative and visual poet's gallery of Golden Age Dutch literature. This he produced as a joint undertaking with the noted artist and art historian Arnold Houbraken who was then also launching The Great Theatre of Dutch Painters, (Amsterdam, 1718–21).

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  1. Summarise the article in your own words. Which single claim would you verify first, and why?
  2. Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
  3. If two sources disagreed about one of these facts, what would you need in order to trust one over the other?

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