Mathcore

Mathcore is a subgenre of hardcore punk and metalcore that developed during the 1990s, influenced by post-hardcore, extreme metal and math rock. The genre features complex and variable rhythms with songs featuring irregular time signatures, polymeters, syncopations and tempo changes. Bands such as Converge, Botch, Coalesce and the Dillinger Escape Plan helped to establish the genre.

Mathcore is a subgenre of hardcore punk and metalcore that developed during the 1990s, influenced by post-hardcore, extreme metal and math rock. The genre features complex and variable rhythms with songs featuring irregular time signatures, polymeters, syncopations and tempo changes. Bands such as Converge, Botch, Coalesce and the Dillinger Escape Plan helped to establish the genre. ===Instrumentation=== Mathcore typically features irregular time signatures, polymeters, syncopations and tempo changes, while retaining the intensity of hardcore. In the words of The Dillinger Escape Plan bassist Liam Wilson, their "choppy rhythms that people get kind of tongue-twisted on" are "Latin rhythms" mixed with the speed and "stamina" of heavy metal, drawing a parallel between them and John McLaughlin's use of Eastern sounds within a jazz context. Most pioneering mathcore drummers had jazz, orchestral or academic backgrounds, including Dazzling Killmen's Blake Fleming, Craw's Neil Chastain, Coalesce's James Dewees, Botch's Tim Latona, The Dillinger Escape Plan's Chris Pennie, and Converge's Ben Koller. As with the rhythm section, the guitars perform riffs that constantly change and are seldom repeated after one section. Early bands were almost completely atonal with the guitars or all the instruments playing polyphonic dissonance. After the first The Dillinger Escape Plan records, the guitar work of most bands became extremely technical as well and "not only musically challenging, but physically demanding." In a 2016 article, Ian Cory of Invisible Oranges described mathcore's emphasis on technical complexity as "the means by which" they attain the aggressiveness of punk, "but never the end unto itself", distinguishing it from "the overflowing excess" of progressive metal. Writer Keith Kahn-Harris has described some mathcore bands as a mix between the aggressiveness of grindcore and the idioms of free jazz. ===2010s–present=== Bands such as Rolo Tomassi, Frontierer, the Armed, SeeYouSpaceCowboy have been described as modern practitioners of the genre by Bandcamp.

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