Matla'
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In Arabic, Persian, Turkic, and Urdu poetry, the matla (from Arabic , lit. 'rising place'; ; ; ; ; ) is the first bayt, or couplet, of a classical poem such as a qasida or a ghazal. In this sense, it is the opposite of the maqta. It is possible, although extremely rare, for there to be more than one matla in a poem; in this case, the second is referred to as husn-e-matla. It is an important part of the composition because it establishes the overall meter, form, and mood of the entire piece. The defining feature of the matla is that both verses (hemistichs) of the couplet rhyme. Expressed in technical terminology, both verses end with the same qafiya (rhyme) and radif (refrain) of the poem. In fact, the purpose of the matla is to definitively set the qafiya and radif that will be followed for the rest of the composition.
In Arabic, Persian, Turkic, and Urdu poetry, the matla (from Arabic , lit. 'rising place'; ; ; ; ; ) is the first bayt, or couplet, of a classical poem such as a qasida or a ghazal. In this sense, it is the opposite of the maqta. It is possible, although extremely rare, for there to be more than one matla in a poem; in this case, the second is referred to as husn-e-matla. It is an important part of the composition because it establishes the overall meter, form, and mood of the entire piece. The defining feature of the matla is that both verses (hemistichs) of the couplet rhyme. Expressed in technical terminology, both verses end with the same qafiya (rhyme) and radif (refrain) of the poem. In fact, the purpose of the matla is to definitively set the qafiya and radif that will be followed for the rest of the composition.
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