Lesson plan
Orutu
The orutu is a one-stringed vertical fiddle originated in the pre-colonial societies of Western Kenya, especially amongst the Luo community. In Luhya it's known as ishiriri. The Luo had a strong tradition of stringed instruments and was famous for their skills with harps and lyres. When played with a bow, the orutu creates different notes determined by finger pressure against the central stick. Although this musical instrument is played a bit like a violin, it has a different, unique sound to it. It is accompanied by drums and singing, but these instruments are not very popular because Kenyan and by extension African traditional music was heavily eroded by the coming of the European missionaries whose advent was followed by European colonialists. The missionaries, with the cooperation of the imperial administration, were probably most directly responsible for the modification, suppression, or even disappearance of many aspects of traditional culture and music in most of the African societies. Everything African or indigenous was purported as bad and contrary to God's will. Many missionaries deemed African culture especially, African music, as a manifestation of heathenism and thus antagonistic to the true faith.…
Article summary
The orutu is a one-stringed vertical fiddle originated in the pre-colonial societies of Western Kenya, especially amongst the Luo community. In Luhya it's known as ishiriri. The Luo had a strong tradition of stringed instruments and was famous for their skills with harps and lyres. When played with a bow, the orutu creates different notes determined by finger pressure against the central stick. Although this musical instrument is played a bit like a violin, it has a different, unique sound to it. It is accompanied by drums and singing, but these instruments are not very popular because Kenyan and by extension African traditional music was heavily eroded by the coming of the European missionaries whose advent was followed by European colonialists. The missionaries, with the cooperation of the imperial administration, were probably most directly responsible for the modification, suppression, or even disappearance of many aspects of traditional culture and music in most of the African societies. Everything African or indigenous was purported as bad and contrary to God's will. Many missionaries deemed African culture especially, African music, as a manifestation of heathenism and thus antagonistic to the true faith.…
Key claims
No claims recorded.
Discussion questions
- Summarise the article in your own words. Which single claim would you verify first, and why?
- Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
- If two sources disagreed about one of these facts, what would you need in order to trust one over the other?
Bibliography
No sources recorded.
Key claims and bibliography are generated from the same tracked claims and sources as the article page.