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Planh

, troubadour and author of the earliest known planh A genre of the troubadours, the or ( ; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady." Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul. It is descended from the medieval Latin . The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death of King Richard the Lionheart in 1199, was set to original music. Elisabeth Schulze-Busacker identifies three types of : "the moralizing ", in which the expression of grief is a point of departure for social criticism; "the true lament", in which personal grief is central; and "the courtly ", in which the impact of the death on the court is emphasised. Alfred Jeanroy considered that the common denunciation of the evils of the present age was a feature that distinguished the from the . In the conventions of the genre, the subject's death is announced by the simple words ("is dead"). By the 13th century, the placement of these words within the poem was fixed: it occurred in the seventh or eighth line of the first stanza.…

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Article summary

, troubadour and author of the earliest known planh A genre of the troubadours, the or ( ; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady." Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul. It is descended from the medieval Latin . The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death of King Richard the Lionheart in 1199, was set to original music. Elisabeth Schulze-Busacker identifies three types of : "the moralizing ", in which the expression of grief is a point of departure for social criticism; "the true lament", in which personal grief is central; and "the courtly ", in which the impact of the death on the court is emphasised. Alfred Jeanroy considered that the common denunciation of the evils of the present age was a feature that distinguished the from the . In the conventions of the genre, the subject's death is announced by the simple words ("is dead"). By the 13th century, the placement of these words within the poem was fixed: it occurred in the seventh or eighth line of the first stanza.…

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