Redd Davis

Uses your system voice; voice and rate in settings.

Q7305585Snapshot

≈ 2 min read

Names in other languages

  • DeutschRedd Davis
  • EnglishRedd Davis
  • FrançaisRedd Davis
  • MagyarRedd Davis
  • ItalianoRedd Davis
  • NederlandsRedd Davis
  • PortuguêsRedd Davis
  • slRedd Davis

Article bodies are English and are not machine-translated. A name in another language is not a translation of the article.

Redd Davis (18961–?) was a Canadian film director and producer who directed more than twenty films between 1932 and 1942. He was born in Canada in 1896, but he moved to Britain where he directed his first film The Spare Room in 1932. He worked mainly at Twickenham Studios in west London. In 1937 he directed Underneath the Arches, his most successful film.

Redd Davis (1896–?) was a Canadian film director and producer who directed more than twenty films between 1932 and 1942. He was born in Canada in 1896, but he moved to Britain where he directed his first film The Spare Room in 1932. He worked mainly at Twickenham Studios in west London. In 1937 he directed Underneath the Arches, his most successful film.

Selected filmography

Here's George (1932) The Spare Room (1932) The Medicine Man (1933) Excess Baggage (1933) Ask Beccles (1933) Send 'em Back Half Dead (1933) The Umbrella (1933) Easy Money (1934) The Girl in the Flat (1934) Seeing Is Believing (1934) Say It with Diamonds (1935) On Top of the World (1936) King of the Castle (1936) Calling All Ma's (1937) Sing as You Swing (1937) Underneath the Arches (1937) Anything to Declare? (1938) Special Edition (1938) Discoveries (1939) That's the Ticket (1940) The Balloon Goes Up (1942)

External links

Text derived from https://en.wikipedia.org/w/index.php?oldid=1372376853 under CC BY-SA 4.0; modifications have been made.

References

  1. ↩Wikipedia date of birth (×1) · confidence 0.95 https://en.wikipedia.org/w/index.php?oldid=1372376853

Sources cited in this revision

No external citation was extracted for this revision. That is a statement about the source, not a claim that none exists.