Lesson plan

Retablo

', 19th century, El Paso Museum of Art A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. More generally retablo is also the Spanish term for a retable or reredos above an altar, whether a large altarpiece painting or an elaborate wooden structure with sculptures. Typically this includes painting, sculpture, or a combination of the two, and an elaborate framework enclosing it. The Latin etymology of the Spanish word means "board behind". Aside from being found behind the altar, "similar ornamental structures are built and carved over facades and doorways", called overdoors. Small retablos are devotional or votive paintings, often on rectangular sheets of tin that illustrate holy images such as Christ, the Virgin Mother, or one of the hundreds of saints. Many are ex-votos ("from a vow") that depict the story that led to their commission, usually dangerous or threatening events that occurred, and which the person survived, thanks to the intercession of a sacred person – God, Mary, or a saint. They are made as a way of thanking the sacred person for protection in precarious situations, such as surviving an illness or earthquake.…

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Article summary

', 19th century, El Paso Museum of Art A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. More generally retablo is also the Spanish term for a retable or reredos above an altar, whether a large altarpiece painting or an elaborate wooden structure with sculptures. Typically this includes painting, sculpture, or a combination of the two, and an elaborate framework enclosing it. The Latin etymology of the Spanish word means "board behind". Aside from being found behind the altar, "similar ornamental structures are built and carved over facades and doorways", called overdoors. Small retablos are devotional or votive paintings, often on rectangular sheets of tin that illustrate holy images such as Christ, the Virgin Mother, or one of the hundreds of saints. Many are ex-votos ("from a vow") that depict the story that led to their commission, usually dangerous or threatening events that occurred, and which the person survived, thanks to the intercession of a sacred person – God, Mary, or a saint. They are made as a way of thanking the sacred person for protection in precarious situations, such as surviving an illness or earthquake.…

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Discussion questions

  1. Summarise the article in your own words. Which single claim would you verify first, and why?
  2. Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
  3. If two sources disagreed about one of these facts, what would you need in order to trust one over the other?

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