Underglaze

Article summary

paperweight with chrysanthemums and plum blossoms, underglaze blue and brown, 19th-century – DSC04735 Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen. Underglaze decoration uses pigments derived from oxides which fuse with the glaze when the piece is fired in a kiln. It is also a cheaper method, as only a single firing is needed, whereas overglaze decoration requires a second firing at a lower temperature. Many historical styles, for example Persian mina'i ware, Japanese Imari ware, Chinese doucai and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. However, because the main or glost firing is at a higher temperature than used in overglaze decoration, the range of colours available in underglaze is more limited, and was especially so for porcelain in historical times, as the firing temperature required for the porcelain body is especially high. Early porcelain was largely restricted to underglaze blue, and a range of browns and reds.…

Key claims

No claims recorded.

Discussion questions

1. Summarise the article in your own words. Which single claim would you verify first, and why?
2. Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
3. If two sources disagreed about one of these facts, what would you need in order to trust one over the other?

Bibliography

No sources recorded.