Lesson plan
X-height
In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter x in the font (the source of the term), as well as the letters v, w, and z. (Curved letters such as a, c, e, m, n, o, r, s, and u tend to exceed the x-height slightly, due to overshoot; i has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. and EB Garamond. The caption styles both have increased x-heights to make the text clear even printed small. EB Garamond's is also very visibly bolder.|class=skin-invert-image Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x-heights, to give them a more elegant, delicate appearance, a mannerism that was particularly common in the early twentieth century. Many sans-serif designs that are intended for display text have high x-heights, such as Helvetica or, more extremely, Impact.
Article summary
In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter x in the font (the source of the term), as well as the letters v, w, and z. (Curved letters such as a, c, e, m, n, o, r, s, and u tend to exceed the x-height slightly, due to overshoot; i has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. and EB Garamond. The caption styles both have increased x-heights to make the text clear even printed small. EB Garamond's is also very visibly bolder.|class=skin-invert-image Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x-heights, to give them a more elegant, delicate appearance, a mannerism that was particularly common in the early twentieth century. Many sans-serif designs that are intended for display text have high x-heights, such as Helvetica or, more extremely, Impact.
Key claims
No claims recorded.
Discussion questions
- Summarise the article in your own words. Which single claim would you verify first, and why?
- Which claim in this article is most likely to be revised as the sources update? How would you check its current status?
- If two sources disagreed about one of these facts, what would you need in order to trust one over the other?
Bibliography
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Key claims and bibliography are generated from the same tracked claims and sources as the article page.